Sadie finds creators, handles outreach, chases deadlines, and delivers the final report. You just review and approve.
14-day trial · No commitmentYou send the brief, select the creators and review the work. Sadie handles everything in between, and your money stays put until you approve.
You tell her the product, the angle, the budget, and the kind of creator you want. That brief is the contract everything downstream is held to, including the content when it comes back.
Morning-routine Reels, no-makeup look. Show the texture on skin and say “fragrance-free”.
You tell her the product, the angle, the budget, and the kind of creator you want. That brief is the contract everything downstream is held to, including the content when it comes back.
Morning-routine Reels, no-makeup look. Show the texture on skin and say “fragrance-free”.
Marketplaces hand you forty applicants and call it a match. You pay per video, sight unseen, and a one-in-three hit rate gets called industry standard. The rest miss the brief, arrive late, or never arrive — and there is no one to call, because the platform was only ever a directory.
Agencies take the work off your hands and put a wall in front of it: a retainer, a monthly deck, no idea what happens in between. Both end the same way — a folder of files and no idea what any of it cost you.
Want an audience? Get a sponsored post. Want ad creative? Get UGC. Sadie picks the creator that fits.
The creator posts to their own account — reels, stories or grid, tagged and disclosed. You are buying attention from an audience that already trusts them.
The creator makes the asset; you run it on your channels. Follower count is irrelevant — you are buying craft and conversion, at a fraction of studio cost.
Send product, pay a fee, or share a cut of sales. Pick the one that fits your budget.
You send product; creators make content in exchange. The lightest way to start — your spend is inventory, not fees.
A fixed fee per creator for defined deliverables and rights. You set the budget, she negotiates every rate inside it, and half waits on your approval.
Creators earn commission on what they actually sell, through their own links and codes. Pay for outcomes, not deliverables.
“When a brand came to us wanting 80 creators, my first thought was how. Eighty people to find, eighty chats to keep track of, eighty payments to chase. Even with ten creators it gets messy.
So we tried Sadie. She found them, briefed them, and kept every conversation moving. We only stepped in twice: to approve the content, and to release the payments. It wrapped up in about a month. She’s been our permanent hire ever since.”
Send her the brief. A vetted shortlist comes back in minutes. Then you pick the creators and approve the content — everything else gets done and chased, and you only pay in full for work you approve.